The movie, a satirical look at the War on Terror titled An American Carol, thoroughly skewers the left wing:
The war on terror, of course, does not lend itself to hilarity. But Zucker knows comedy and has spent nearly four decades making people laugh. With his friend Lewis Friedman, a comedy writer, Zucker went looking for the absurd in the political left and found an abundance of material.
Zucker and Friedman poked fun of the know-nothing culture of antiwar protests. During a rally at Columbia University, students chant: "Peace Now, We Don't Care How!" Some of their protest signs are ones you'd find at any antiwar rally. Some are not. "9/11 Was an Inside Job," "Kick Army Recruiters Off Campus!" "End Violence--War Is Not the Answer!" "End Disease--Medicine Is Not the Answer!" "It's Too Dark Outside, The Sun Is Not the Answer!" "Overpopulation--Gay Marriage Is the Answer!"
Other claims were so absurd they didn't require exaggeration. "We really didn't have to do a lot of stretching," says Zucker.
When he heard Rosie O'Donnell claim that "radical Christianity is just as threatening as radical Islam in a country like America where we have a separation of church and state," he knew he had several minutes of material.
In the film, a rotund comedian named Rosie O'Connell makes an appearance on The O'Reilly Factor to promote her documentary, The Truth About Radical Christians. O'Reilly shows a clip, which opens with a pair of priests walking through an airport--as seen from pre-hijacking surveillance video--before boarding the airplane. Once onboard, they storm the cockpit using crucifixes as their weapon of choice. Next the documentary looks at the growing phenomenon of nuns as suicide bombers, seeking 72 virgins in heaven. A dramatization shows two nuns, strapped with explosives, board a bus to the cries of the other passengers. "Oh, no! Not the Christians!" O'Connell's work ends with a warning about new threats and the particular menace of the "Episcopal suppository bomber."
Here's hoping Zucker has better luck, politically speaking, than Michael Moore (whose pseudo-doppelganger, incidentally, is the protagonist of An American Carol) did with Farenheit 9/11 in 2004.
--Shack
No comments:
Post a Comment